March 2013
1 post
Mar 8th
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February 2013
14 posts
Feb 26th
299 notes
Pressed Up Against the Immediate | The White... →
I am thinking here in particular of those jerky videos which in many ways have defined our perception of the so-called Arab Spring. These highly pixelated, out-of-focus images seem to play upon a convention often associated with the ‘documentary’: the more grainy and imperfect they are, the more they appear to be the signifiers of authenticity. Shot in ‘real time’, these images seem ideologically...
Feb 26th
Feb 25th
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Feb 25th
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Feb 21st
Feb 21st
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Feb 21st
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Feb 8th
Feb 8th
Feb 8th
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Feb 5th
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Feb 3rd
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“On Approach Fiction should have a ghostlike presence in it somewhere,...”
– Max Sebald’s Writing Tips - Richard Skinner
Feb 3rd
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January 2013
2 posts
Jan 31st
9 notes
Jan 31st
December 2012
1 post
Dec 5th
November 2012
7 posts
Nov 9th
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Nov 9th
215 notes
““His small whitish-grey eyes had a restless, inquisitive, hungry look in them,...”
Nov 9th
Nov 5th
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Nov 5th
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Nov 5th
90 notes
“Yes, one could imagine a very pleasant world. A quiet, spacious world, with the...”
– Virginia Woolf, The Mark On The Wall (via violentwavesofemotion)
Nov 3rd
132 notes
October 2012
1 post
What Can You Really Know? by Freeman Dyson | The... →
Oct 29th
September 2012
1 post
Sep 25th
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July 2012
11 posts
Jul 30th
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Jul 11th
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Jul 10th
1,720 notes
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Jul 6th
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Jul 6th
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June 2012
10 posts
Grey cloudless sky ocean of dust not a ripple mock confines verge upon verge hell air not a breath. Mingling with the dust slowly sinking some almost fully sunk the ruins of the refuge. First change of all in the end a fragment comes away and falls. With slow fall for so dense a body it lights like cork on water and scarce breaks the surface. Fizzle 8: for to end yet again Inviato da iPod
Jun 26th
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Jun 25th
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Jun 25th
Jun 25th
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Jun 22nd
Jun 22nd
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Jun 20th
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Jun 7th
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May 2012
7 posts
May 30th
Philip K. Dick, Sci-Fi Philosopher, Part 1 -... →
May 26th